Maternity, A Reclamation of the Aboriginal Mother Organic Cotton Apron

These aprons are made with organic cotton, featuring adjustable ties around the waist for comfort. They’re lightweight and durable for whatever gets thrown or splashed at you. Made by Pencarrie.

Reclaiming Motherhood

This piece takes direct inspiration from Pablo Picasso's "Motherhood" (1901), but transforms it from European sentiment into Caribbean indigenous truth. Where Picasso painted a universal maternal ideal through a Western lens during his Blue Period, this work reclaims that intimate gesture—mother cradling child—and roots it firmly in Aboriginal and indigenous Caribbean identity. The composition honors the original's tender embrace while asserting: this moment belongs to us first, was ours always, and speaks our story, not his.

Picasso's fame eclipsed entire art histories, his "primitive" period appropriating African and indigenous forms without acknowledgment or understanding. This reimagining reverses that extraction. The mother and child are rendered as Taíno, Arawak, Lucayan—the indigenous peoples of the Caribbean whose motherhood predates European observation by thousands of years. Their features, their bearing, their very presence challenges the notion that maternal love needed a Spanish man in Paris to validate its artistic worth.

The piece becomes a visual reclamation: Caribbean indigenous women have cradled their children through colonization's genocide, through the erasure of entire populations, through the deliberate destruction of culture and language. Their motherhood survived what was meant to annihilate it. By recreating Picasso's composition with Aboriginal Caribbean subjects, the work asks: whose motherhood gets immortalized in museums? Whose tenderness is considered "universal"? Whose story of survival through maternal love gets told? This is not homage but retrieval—taking back the narrative, centering the indigenous Caribbean mother whose embrace kept her people alive when empires declared them extinct. The geometry may echo Picasso, but the story, the survival, the sacred act of indigenous motherhood continuing against all odds—that belongs to the islands, to the Aboriginal peoples, to the mothers who refused to let their children be the last.