What "Livity" Means
Livity is a Rastafari-rooted concept describing the sacred current of life that flows through all living things — the divine force that connects us to the earth, to each other, and to every ancestor who came before us.
It is not a trend. It is not a brand name. It is a philosophy of conscious, intentional living — the understanding that how we move through the world is a spiritual act.
For the Kalinago, the Arawak, and the first peoples of the Caribbean and Americas, this concept already had a name long before it was given one. They lived it in ceremony, in adornment, in the symbols they carved into stone and painted onto skin. Livity Tree Art exists to carry that frequency forward.
"The ancestors did not die. They became the frequency we forgot to tune into."
— Katherin Joyette, Founder
Everything we create moves through five ancestral research threads:
Ancestral Bridges — Recovering the documented genealogical and cultural connections between African, Indigenous Caribbean, and European lineages across the Atlantic world.
Erased Daughters — Honoring the matrilineal lines that colonial record-keeping deliberately obscured. The mothers, grandmothers, and first women whose names were written out of history.
Spiritual & Ancestral Art — Sacred imagery channeled through ceremonial practice. Art as prayer. Art as portal.
Caribbean Tribes — The living nations of the Caribbean Aboriginal world: Kalinago, Garifuna, Arawak, Ciboney, Taíno — their cosmologies, governance systems, and cultural legacies.
Matrilineal Communities — The societies, kinship structures, and inheritance systems organized through the mother's line — the original model of human belonging.
Livity Tree Artists
The Artists Behind the Work
Livity Tree Art is not a brand conceived in a marketing meeting. It is the living continuation of a matrilineal legacy spanning Kalinago St. Vincent, Eritrean royal lineage - grandparent lineages, each carrying sovereign Indigenous identity, spiritual authority, and noble standing that colonial reclassification buried.
The late Anthony Joyette — among the first Black Canadian artists recognized in Montreal — planted a seed that now blooms through Katherin and the entire Livity Tree Art family. His vision of art as resistance, as cultural reclamation, as a transmission to future generations, is the heartbeat of everything we make.
Charlie Andrade
Charlie Andrade
Katherin Joyette
Katherin Joyette
Robert Joyette
Robert Joyette
Rooted in the Caribbean Aboriginal
The Kalinago, Arawak, and Ciboney peoples were the first nations of the islands the world now calls the Caribbean. Their cosmology, matrilineal kinship structures, and earth-based spiritual practices form the living root of Livity Tree Art.
Art as Ancestral Transmission
Our art is not decorative. It is channeled through ceremony, breathwork, meditation, and deep ancestral research. Each piece carries encoded cultural memory — a portal to lineages that colonial history tried to erase.
Living the Culture — Not Displaying It
Livity means the culture lives through you. Not behind glass. Not on a shelf. On your body, in your home, in your daily choices. You are not a museum visitor — you are a living heir.
Your Ancestors
Were Never Lost.
Only Waiting.
Bring them home. Hang them on your walls. Wear them on your skin. Carry them in your accessories. Livity Tree Art exists so that the first peoples of the Americas and Caribbean are never erased again.
Aboriginal Amerindian Art & Culture