Maternity Reclaimed Classic Semi-Glossy Paper Poster

Maternity Reclaimed began as a confrontation with Picasso — with the Western art world's long tradition of centering the European mother as the universal image of tenderness, sacrifice, and sacred femininity. Katherin Joyette took that compositional language and returned it to its true subject: the Caribbean woman, the Afro-Indigenous mother, the one the canon excluded.

But this piece is also something more intimate than cultural reclamation. It is a self-portrait of a journey.

To raise a child alone is to be asked to become whole before you are ready — to find grace while you are still learning what grace costs, to find strength while you are still tracing the shape of your own mother wound. It is to mother a child and simultaneously re-mother yourself: to excavate what was not given to you, to grieve it, and then to choose to give it anyway. The Caribbean woman has been doing this for centuries — holding her children through loss, displacement, and erasure, without anyone holding her.

This portrait honors that. The tenderness in it is hard-won. The strength in it is not performance — it is what remains after everything that tried to break the lineage failed.

For every woman who has raised a child while raising herself. For every mother who is also still someone's daughter, still in the middle of her own healing.

Print Details
Semi-glossy finish · Lighter weight, silky to the touch
Museum-quality inks · Fade resistant
Available in seven sizes from 5×7″ to A0
Ships flat · Ready to frame

Part of the Erased Daughters Collection — Livity Tree Art · Transmissions, not trends.