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The Mother Who Lived
MahaMaya stands as elder, as ancestor, as the mother who survived—a radical reimagining of Queen Maya, the Buddha's mother. Traditional Buddhist texts tell us she died seven days after giving birth to Siddhartha Gautama, ascending to the Tavalimsa heaven, forever frozen as young mother, forever denied the chance to see her son become enlightened. But this painting asks: what if that narrative served a purpose? What if removing the mother's living presence, her elder wisdom, her continued influence made it easier to center patriarchal monastic traditions? Here, MahaMaya lives. She ages. She watches her son's journey. She embodies the elder feminine wisdom that patriarchy always tries to erase.
While popular imagery often shows the Buddha with the ushnisha (cranial bump) topped by tight coils, scholars and ancient sculptures reveal that historical depictions show him with natural locks—hair described in Pali texts as "nīla" (dark/black) and arranged in tight spirals that curl to the right. Some interpretations suggest these were natural locked coils, not unlike the hair textures found in African and Aboriginal populations. Early Buddhist communities spread through regions where dark-skinned, locked-hair peoples lived. The historical Buddha was not European, not East Asian in the modern sense, but potentially closer to the dark-skinned, locked-hair peoples of ancient India and surrounding regions—peoples with genetic and cultural connections to African and Aboriginal diasporic populations.
By depicting Maha Maya as an older Indigenous woman this piece centers what has been whitewashed from Buddhism's image: its roots among dark-skinned peoples, its birth from a mother who carried indigenous wisdom. The Caribbean lens asks: what if we see Maha Maya as Taíno grandmother, as Arawak elder, as the indigenous mother whose wisdom of plants, spirits, and cycles informed her son's enlightenment? What if the "middle way" echoes indigenous balance philosophy? What if liberation teachings sound familiar because they've always existed in indigenous cosmologies? Maha Maya lives here, ages here, and her Aboriginal face reminds us: wisdom traditions belong to dark-skinned, locked-hair peoples long before Buddhism was sanitized for Western consumption.
Professional quality ultra high resolution and fade-resistant printing with a sturdy timber backed frame to freshen up your favourite spaces. Natural, renewable and sustainable materials.
Printed with water based inks on recycled (rPET) canvas, FSC certified timber frame and sustainable packaging. Premium quality canvas art print.
Size Guide
Centimeters
|
A4 |
A3 |
A2 |
A1 |
| Width |
21 |
29.7 |
42 |
59.4 |
| Height |
29.7 |
42 |
59.4 |
84.1 |
Printed with water based inks on recyclable paper, with optional timber frame from our FSC certified supplier. Professional quality full colour fine art poster prints.
Product Specification
Printed with water based inks on recycled (rPET) canvas, FSC certified timber frame and sustainable packaging. Premium quality canvas art print.
